by Rasmus on July 4, 2010
Before I dive into the Prins Thomas flavour of house, allow me to rant for a minute. Surely, this year’s setup at Cosmopol deserves a rant or two. How can anyone (wants to be taken seriously as a place for dance music at least) banish their dj acts to a stage strangely removed from where the action usually is? To be fair, the smooth transitions from djs to live acts worked well, but the setup felt absurd. I hardly saw a dj set without a soundcheck in progress at the main stage. Needless to say this caused some confusion in the crowd.
That the Prins Thomas set suffered from this goes without saying. You did not have to spend many seconds at Cosmopol before it was obvious that the tent wouldn’t even go past half filled. Not surprising, considering that Thomas Hermansen’s alias has yet to gain the same momentum as his fellow cosmic cronies.
From the look of his face, however, Prins Thomas wasn’t offended. Instead, he seized the opportunity to deliver a groovy disco house set without veering off into too many experiments. A surprisingly strong set of mixing skills combined with a tongue-in-cheek approach to the expected linear playing style worked beautifully despite the fact that Full Pupp most likely would not ring any bells with half of the crowd. Seeing people three times my age (albeit I’m not that old) dancing in a very particular fashion next to girls in the midst of a hand bag circle craze to the soundtrack from a bearded Norwegian has some strange beauty to it.
by Rasmus on July 3, 2010
In the programme, presumably printed in 100,000 copies, someone misspelled Friday. Ok, we all make mistakes, and I’m not holding that typo against anyone (almost). It’s just unfortunate that that kind of carelessness turned out to embody the experience of Friday at Roskilde 2010 quite well.
Read more about Friday at Roskilde 2010
by Rasmus on July 2, 2010
As Tim Sweeney played with the filters for the last time, James Murphy & co. took the stage to deliver the much-anticipated LCD Soundsystem concert. There had been much discussion beforehand about whether Cosmopol’s limited capacity was the right choice over Arena’s bigger tent, but from my spot a handful of meters from the fence, Cosmopol seemed like the right choice.
Not only was the tent and much of the surrounding space packed with people eager to join Murphy in his New York dance rock antics, the temperature had also gone way past what could possibly be healthy. The tight groove of Us V Them provided a smooth transitions from Sweeney’s warm-up and from the first beat it was obvious that Cosmopol indeed agreed that the time had come.
On the stage, the rest of the band remained somewhat anonymous, which only helped James Murphy (dressed all in white, of course) wrap us around his fingers. It may just be bias after Sweeney’s set, but in the live setting, Murphy’s experience as a dj makes his stage presence just a tad more exciting. Adding a little more heartbreak, a little more power, and a little more vulnerability at the right moments, he firmly controlled the action until the tent literally couldn’t contain itself anymore.
The self-examining tracks from the recent This Is Happening had been abandoned for Sound of Silver and the early LCD incarnations’ dance appeal. After hearing I Can Change that turned out to be a smart decision. The newer tracks simply don’t carry the same appeal, and while they may be fine for headphone listening, the few of that made it to the set list seemed strangely off with Drunk Girls as the possible exception (and that pretty much says it all).
Fortunately, LCD Soundsystem has a strong catalogue of snarky grooves. Sound of Silver material blended in with the anarchistic older singles and proved that Someone Great could do what the TIH tracks couldn’t and that All My Friends still can bring a fragmented generation together in a couple of minutes of bliss.
Towards the end, Murphy dug further back in his crate and drew out Tribulations, Movement, Yeah! (with even more tease than usual), and Losing My Edge to round off the show. Cosmopol was all hands while Murphy jumped around, screamed, danced, delivered a cowbell solo, and played a bit with Pat Mahoney’s drums. Tim Sweeney may had left us wanting more, and LCD Soundsystem did the same despite the ridiculously hot tent and an unmatched level of energy. The only question now is where all the balloons that hung at the top of the tent earlier went. Perhaps you can come back and tell us, James?
by Rasmus on July 2, 2010
It was hard to say how many people who came to Cosmopol to get a good spot for LCD Soundsystem and how many who were there for Tim Sweeney‘s warm-up set. Considering that the two’s history are very similar, putting the them back to back at the Cosmopol stage Thursday evening seemed like a great idea that just hadn’t reached most of the crowd. So when Sweeney took the stage, a good portion of the tent enjoyed a break on the tent’s wooden floor.
Just like when Sweeney played Jazzhouse in April, he started off with some deep grooves in the more oddball disco realms. And just like last time, he slowly steered towards a set of straight forward house with Beats In Space’s most banging moments as the reference points. It remained clear, however, that Sweeney wasn’t here to fire up Cosmopol, but to keep us wanting more when James Murphy took the stage later on.
As the dancefloor climbed towards euphoria, he allowed us to hang in the air for several seconds with helping hand from filters and craftsmanship before taking things down to a reasonable once again. The raw power of Jayson Brothers‘ The Game pulled some fist pumping, and DJ Harvey‘s multifaceted remix of Rushing To Paradise resulted in a similar reaction. We were never allowed to fully peak the way we did last time, but as a warmup act, Sweeney knew just how to walk the walk. Despite some trouble with the tempo on one of the turntables, he pulled his set off neatly, although you ended up wishing that he had taken us just that one step further.
by Rasmus on July 2, 2010
Electrojuice landed in our collective electronic consciences a couple of years ago when the two young teens released a couple of singles that took the Danish press and fans alike with storm. Much has happened since then. The gimmicks have been shed, and the French house sound has crossed the border to Germany. The icons are no longer Ed & Oizo, but the raw sound of German warehouses along the lines of Modeselektor.
The live setup had been updated, too, when Electrojuice opened the Cosmopol stage. Their characteristic 1.5 liter stage-cola had been swapped with water, and the two had split their setup in two with drummer between them. Ambitious (and somewhat intimidating) move.
If the boys themselves were intimidated, they hid it well. While remaining concentrated on squeezing out just the right kind of boom from their setup, Electrojuice were still eager to tease and please a crowd that gave them the warmest possible welcome. With hypnotic buildups, drone-like arpeggiator runs, and a little extra spice with the added drums, Cosmopol quickly turned into a stomping dancefloor.
The drones were replaced with rap as Negash Ali took the stage and lifted the crowd’s excitement. Although some switched seemed abrupt in retrospect, it surprised me how well they handled dragging us through several mini-sets while maintaining our enthusiasm. The Germain traits blended in with bigger booms, and we were even close to Animal Collective at one point, had they spent less time at Merryweather Post Pavillion and more time in Detroit. If Electrojuice work on tying their set a little better together, it’s not hard imagining them wow a less forgiving crowd, not to mention a bigger stage.
by Rasmus on July 1, 2010
by Rasmus on July 1, 2010
We’re ready. While the water-spraying trucks do their best to help the dust settle, we’re pulling in the opposite direction, and we’re just getting started. Everything gets just that tad more outrageous as we approach the moment where the gates to the sacred land of the festival area open. Although tomorrow (or thursday, to be more precise) is the day we’re waiting for, the party scene on wednesday showed no sign of slowing down.
Read more about Wednesday’s action
by Rasmus on July 1, 2010
by Rasmus on June 30, 2010
by Rasmus on June 30, 2010
If you ask different people about how long Roskilde is, you will get different answers. If you’ve never been here, you will probably tell me that it’s a four day festival. But that’s not the whole truth. Everybody who’s been here knows that the music days are only half the fun, and that the four warm-up days (or five, depending on your hunger for crammed waiting zones) are an equal part of the Roskilde experience.
Read more about Tuesday at Roskilde 2010